Songs and compositions
Original musical work appears under the title chosen for its publication.
03 / Songs
Our previously published demos.
Press play. Leave a little love. Tell us what you hear.
The listening room00 demos
The listening room is warming up.
Our demos will appear here as BCMC publishes the original audio.
In the meantime, start a song →A little more about the music
The music is the evidence.
Burnt Chapati is an independent music label. This catalogue is where the proposition becomes audible: released work and its published context, without inventing the stories or personnel behind it.
Public catalogue
The official uploads, assembled for listening.
The listening room above presents demos that BCMC has chosen to publish. Each song keeps its title and original publication date, with the newest releases first.
A rough recording shared through Create stays in its private project. It becomes part of this catalogue only through a separate publication decision.
Catalogue principle
Public work belongs in the public record.
The Songs catalogue is a public listening space for demos explicitly published by BCMC. The original audio, title and publication date form the record; private work in progress remains in the creator workspace.
- Published demo
- An original audio recording that BCMC has approved for public listening.
- Original date
- The song's original publication date, rather than the date it was added to this website.
- Private project
- Recordings, versions and conversations shared only with the creator, assigned collaborators and BCMC staff.
- Listener notes
- Reviews shared publicly after BCMC moderation, with display names and dates.
Listening position
Hear the work before reading the model.
Independent music. Shared participation. The first half of that statement matters: every system exists to serve music worth returning to.
Start anywhere. Each row presents the title, publication date and duration. Playback begins when you press play; starting another song pauses the previous one.
Language, script and naming stay with the work. Burnt Chapati does not translate or simplify a title for the convenience of the interface, and it does not turn an upload into invented editorial metadata.
- Listen and read approved notes without an account.
- Sign in to leave a heart or share your feedback.
- Treat approved credits and release documentation as the authority on contribution.
One listening field
The catalogue follows the work, not a format hierarchy.
A demo can carry a song, a collaboration or a line of inquiry. Its place here begins with the music.
Work made together
Collaborative releases remain visible without the page inventing a hierarchy among the people involved.
Tradition and inquiry
Material connected to chants, practice or research can sit beside other music without being reduced to a decorative category.
Source discipline
Every song has a clear, verifiable record.
The catalogue carries what the approved release can support, keeping listening information distinct from project documentation.
| Element | Public function | Integrity rule |
|---|---|---|
| Title | Names the work | Preserve the published wording and script |
| Publication date | Places the demo in its original context | Use the original date supplied by BCMC |
| Duration | Shows the length of the recording | Read the uploaded audio rather than estimate |
| Playback | Lets anyone listen | Use the original audio approved for publication |
| Hearts | Shows listener appreciation | One reversible heart per account and song |
| Notes | Shares listener reviews | Publish only after moderation |
This record does not establish composition shares, master ownership, fees, continuing participation, personnel or approval rights.
Living catalogue
A song reaches this page through a publication decision.
- 01
Prepare the recording
BCMC adds the original MP3, the song title and its original publication date.
Private preparation - 02
Review the record
Check the audio and its context before sharing the work.
Readiness - 03
Publish explicitly
BCMC publishes the demo for public listening. Uploading a private project version alone never publishes it.
Publication - 04
Keep listening
Listeners can play the song, leave a heart and submit feedback for moderation.
Conversation
Listening continuity
Remain useful without pretending to be complete.
No demos published yet
The listening room says when it is waiting for original audio. It does not substitute private recordings.
An interrupted connection
If audio cannot load, check your connection and try again. An unavailable recording should not be mistaken for a finished playback.
A correction or question
Email hello@burntchapati.com with the song title and the issue you encountered.
Creator integrity
A title cannot decide who made the music.
Burnt Chapati begins with creators, which means refusing to manufacture contribution records from incomplete signals.
Keep source language intact
The catalogue preserves the naming supplied for the approved release.
Never infer a contributor
A title or listener review is not enough evidence to assign authorship, performance, production or engineering roles.
Verify any enrichment
Credit notes should come from approved project records and identify what the evidence supports.
Name partial knowledge
When information is incomplete, describe that limitation instead of filling the gap with confident copy.
The Songs page is a listening catalogue, not a rights register, credit schedule, royalty account or project agreement.
Listener control
A song plays because a listener asks for it.
One active player
Starting a song pauses the previous one, so recordings do not compete for your attention.
Audio comes first
Use the audio controls to play, pause and move through a recording.
Listen freely
An account is not required to listen or read approved reviews.
Choose your participation
Sign in when you want to leave a heart or write feedback. You can remove your heart or edit your review.
Public demos are separate from private recordings and conversations in the creator workspace.
The listening conversation
A little love. A useful note. Another listen.
The public count reflects one reversible heart per signed-in account and song.
Write or edit one text review for each song. New and edited reviews wait for BCMC moderation.
Expand Notes to read approved reviews, with display names and dates.
Catalogue answers
What this page can—and cannot—tell you.
01Do I need an account to listen?
No. Listening and reading approved reviews are open to everyone. Sign in to react or leave feedback.
02Does uploading my song make it public?
No. Project recordings stay private. BCMC makes a separate, explicit decision to publish a demo.
03Why is my review not in Notes yet?
New reviews enter a moderation queue. Editing an existing review sends it back for moderation before it appears publicly again.
04Does the catalogue prove who owns or participated in a song?
No. Credits, rights, fees and participation depend on verified release and project records.
05Can I change my reaction?
Yes. Your heart is reversible, and you can edit your own review after signing in.
Creator invitation
Have a song that deserves a serious room?
Begin with the music, the people already involved and the precise question you want Burnt Chapati to consider.
An introduction can open a conversation about creation, production or partnership. It does not create a release commitment, transfer a right or assign participation. Any project that advances needs its own scope, contributor record and separate agreement.