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02 / Create

Create a song in three steps.

It can start with a hum, a verse, or a voice note. You don’t need a finished song.

  1. 01

    Record your voice.

    Sing it, hum it, or choose an audio file.

  2. 02

    Hit Upload.

    Your recording goes to your private workspace.

  3. 03

    Make it together.

    BCMC connects musicians to your song.

A little more about the music

From the first idea to the finished record.

The first three steps open the door. Here is how the working circle, decisions and project record develop around your music.

The network grows around the song, then resolves into a record.

The sequence makes room for instinct while giving every contributor a dependable point of reference.

  1. 01

    Hear the premise

    Understand the source material, creator's intent, present stage and the quality that must not be lost.

    Creative signal
  2. 02

    Build the circle

    Identify the people, knowledge, room and resources that this work—not a generic workflow—requires.

    Network
  3. 03

    Agree the project

    Set scope, responsibilities, credits, permissions, decision points and any contractual participation in writing.

    Terms
  4. 04

    Make and listen

    Produce through sessions, versions and review moments that keep creative intent visible.

    Production
  5. 05

    Release with context

    Confirm the master, artwork, metadata, credits and public route before the work leaves the project room.

    Release
  6. 06

    Keep the record alive

    Maintain the approved catalogue information when a new use, correction or live form appears.

    Continuity

A serious collaboration remembers who decided what—and why.

Documentation is not bureaucracy when it protects clarity between people who depend on one another.

RecordWhat it keeps clearWorking evidence
Creative premiseWhat is being made and what must remain trueBrief, references and repertoire notes
Contribution mapWho brings which work or resourceNamed roles, sessions and deliverables
Decision trailWhat changed, who approved it and which version is currentDated reviews and approvals
PermissionsWhat may be recorded, released or reusedProject terms and relevant clearances
Public packageWhat audiences will encounterMaster, artwork, metadata and credits
Continuing recordWhat changes after publicationCorrections, new uses and catalogue updates

The record should be proportionate to the work; clarity matters more than document volume.

Clarity is a creative resource.

A project does not need identical terms; it needs enough definition for every participant to understand the exchange.

AreaQuestionProject record
IntentWhat are we making, and what must remain true?Creative brief
ContributionsWho is bringing which work, knowledge or resource?Role and deliverable map
CreditsHow will accepted contributions be publicly named?Approved credit record
ParticipationIs a fee, ownership interest or continuing economic share agreed?Written project terms
AuthorityWho decides at each material review point?Decision map
ReleaseWhich public or restricted route is approved?Release or presentation plan

The framework makes questions visible; it does not supply a universal contract or ownership split.

A name in the credits is important. It is not the whole agreement.

Credit, fee, ownership, permission and approval can sit beside one another without meaning the same thing. Burnt Chapati's model asks the project to state each instrument directly so no participant has to infer it from a title or conversation.
Credit
The agreed public attribution for accepted work; credit alone does not establish ownership or payment.
Fee
Compensation for defined work when the project terms provide for it.
Ownership
A project-specific legal interest in a defined asset, created only through the applicable agreement.
Permission
Authority for a stated use of material, performance, knowledge, name or image.
Approval
Decision authority over a specified matter, held only to the extent the project assigns it.

Participants should seek independent professional advice where the project's rights or economics require it.